WHAT: The human form and its relationship with space predominatesin the largest part of his oeuvre. He embarked on exploring the diverse stages of this relationship, by using as starting point, the Motorcyclist, his older and most popular subject matter; in some cases, this figure rep- resents an intimidating symbol of authority, while other times, it signifies a speed addict, who is a victim himself. The external depiction of the moving figure is gradually replaced by a sense of motion within painting itself. This emerging aspect of his personal idiom would become the key to his future development. His figures are usually recognizable and they often stand alone in space, while less frequently, they coexist with few more figures.
WHEN: Until January 25, 2020
WHERE: Citronne Gallery
Patriarchou Ioakim 9|Tel: +30.210.723.5226|Website